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Χορωδία | cymVolon

Posts Tagged ‘Χορωδία’

New-Age Music

New-Age Music: Orpheus and Eurydice

“Orpheus and Eurydice” is a poem by Anna Morfidou, that was set to music by Charis Trasanis. The composition has influences from the known Greek myth where, according to the plot, Orpheus travels to the underworld and by employing the power of his music, softens the hearts of Hades and Persephone, in order to allow [...]

Traditional Music

Traditional Folk Music: Samiotissa

Traditional folk music has been defined in several ways: as music transmitted by mouth, as music of the lower classes, and as music with unknown composers. It has been contrasted with commercial and classical styles. One meaning often given is that of old songs, with no known composers; another is music that has been transmitted [...]

Masters of Psaltic Art

Profile: Masters of Psaltic Art

The “Masters of Psaltic Art” is a well-known (since 1983) in the field of Byzantine Musicology Choir of Chanters. The main goals and objectives of this Choir of Chanters are: [a] the study and presentation of the works of the main Byzantine and post-Byzantine composers [b] the morphological study and analysis of the various “types” [...]

Music

Music: Conductors (Index)

Conducting is the art of directing a musical performance by way of visible gestures. The primary duties of the conductor are to unify performers, set the tempo, execute clear preparations and beats, and to listen critically and shape the sound of the ensemble. Orchestras, choirs, concert bands and other musical ensembles often have conductors. The [...]

Sacred Music

Wolfgang Amadeus Mozart: Requiem Mass in D minor

The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer’s death on December 5. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February [...]

Church Music

Johann Sebastian Bach: Christmas Oratorio

The Christmas Oratorio (German: Weihnachts-Oratorium) BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It was written for the Christmas season of 1734 incorporating music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a now lost church cantata, BWV 248a. The [...]

Antifoniko melos (Church Music)

Antifoniko melos: It is Truly meet (1st Mode)

In the theory of Western music, mode (from Latin modus, “measure, standard, manner, way, size, limit of quantity, method”) generally refers to a type of scale, coupled with a set of characteristic melodic behaviours.

Octoechos

Other performances: It is Truly Meet (1st Mode)

In the theory of Western music, mode (from Latin modus, “measure, standard, manner, way, size, limit of quantity, method”) generally refers to a type of scale, coupled with a set of characteristic melodic behaviours.

Octoechos

It is Truly Meet: 1st Mode (Octoechos)

In the theory of Western music, mode (from Latin modus, “measure, standard, manner, way, size, limit of quantity, method”) generally refers to a type of scale, coupled with a set of characteristic melodic behaviours.

Church Music

Church Music: Christmas Lauds (4th mode leyetos)

Christmas (Old English: Crīstesmæsse, literally “Christ’s mass“) is an annual commemoration of the birth of Jesus Christ, celebrated generally on December 25 as a religious and cultural holiday by billions of people around the world.

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